2020. Open Studio and Solo Exhibition. Newcastle.
No Show. Open Studio.
NO SHOW
~ Non existent when expected.
~ Non Exhibition.
NO SHOW is an Open Studio invitation to Newcastle artist Brett Piva’s studio that shared experiments and processes using various mediums on base materials such as Glass, Paper and Canvas.
A response to a NO SHOW circumstance due to a large projects eleventh hour cancellation over the October long weekend in Newcastle, 2020.
Various works of all sizes, both accomplished and incomplete will be shared. Framed, unframed or unfinished. An insight into studio practices alongside a showcase of completed works.
Hand made brushes, tools and implements used to create works will be on display and discussed during each session. New abstract and contemporary pieces will be available for sale. An open dialogue for commissioned pieces and pre-orders on displayed incomplete works are welcome.
NO SHOW. A response to difficult experiences in difficult times.
Dusk over the Lagoon.
18 Karat Gold, 12 Karat White Gold and Acrylic on Italian Cotton Canvas framed in Tasmanian Oak.
Painted using habitual tools alongside natural hand made brushes and Eucalypt bark from Glenrock State Conservation Area.
800 x 1000.
Just Off The Yuelarbah
23 Karat Gold, 12 Karat White Gold and Acrylic on Italian Cotton Canvas.
Painted using habitual tools alongside natural hand made brushes and Eucalypt bark from Glenrock State Conservation Area.
800 x 1000.
The Distant Sands of Burwood
24 Karat Gold, 22 Karat Moon Gold, Copper Leaf, Enamel and Acrylic on Glass. Framed in Tasmanian Oak
Painted using habitual tools alongside natural hand made brushes and Eucalyptus bark from Glenrock State Conservation Area.
600 x 500.
Banksias at Burwood
23 Karat Gold, 22 Karat Moon Gold, 12 Karat White Gold, Enamel and Acrylic on Glass.
Painted using habitual tools alongside natural hand made brushes and Eucalypt bark from Glenrock State Conservation Area.
500 x 600.
Lookout Over The Lagoon
18 Karat Lemon Gold, 22 Karat Moon Gold, Enamel and Acrylic on Glass. Framed in Tasmanian Oak
Painted using habitual tools alongside natural hand made brushes and Eucalyptus bark from Glenrock State Conservation Area.
500 x 600.
The Headlands Edge
23 Karat Red Gold, 22 Karat Moon Gold, Enamel and Acrylic on Glass.
Painted using habitual tools alongside natural hand made brushes and Eucalyptus bark from Glenrock State Conservation Area.
500 x 600.
Reflection Beside the Borers 01
23 Karat Gold, 12 Karat White Gold and Acrylic on Arches Paper.
Painted using habitual tools alongside natural hand made brushes and Eucalyptus bark from Glenrock State Conservation Area.
930 x 730.
Reflection Beside the Borers 02
23 Karat Gold, 23 Karat Red Gold and Acrylic on Arches Paper.
Painted using habitual tools alongside natural hand made brushes and Eucalyptus bark from Glenrock State Conservation Area.
930 x 730.
Reflection Beside the Borers 03
23 Karat Red Gold, 12 Karat White Gold and Acrylic on Arches Paper.
Painted using habitual tools alongside natural hand made brushes and Eucalyptus bark from Glenrock State Conservation Area.
930 x 730.
Fragility 01 and 02
23 Karat Gold, 12 Karat Gold and Enamel on Glass Shards within sculpted Cement.
Forming a relationship between the fragile and the robust.